


A few seasonally creepy Victorian Flatbush details.
so much infinity, so little time


























Lowell was a short but imposing figure who kept her hair in a bun and wore a pince-nez. She smoked cigars constantly, claiming that they lasted longer than cigarettes. A glandular problem kept her perpetually overweight, so that poet Witter Bynner once said, in a cruel comment repeated by Ezra Pound and thereafter commonly misattributed to him, that she was a "hippopoetess."
Lowell not only published her own work but also that of other writers. According to Untermyer, she "captured" the Imagist movement from Ezra Pound. Pound threatened to sue her for bringing out her three-volume series Some Imagist Poets, and thereafter called the American Imagists the "Amygist" movement. Pound criticized her as not an imagist but merely a rich woman who was able to financially assist the publication of imagist poetry. She said that Imagism was weak before she took it up, whereas others said it became weak after Pound's "exile" towards Vorticism.

According to many witness statements, after a downfall of rain, the dark clouds broke and the sun appeared as an opaque, spinning disc in the sky. It was said to be significantly less bright than normal, and cast multicolored lights across the landscape, the shadows on the landscape, the people, and the surrounding clouds. The sun was then reported to have careened towards the earth in a zigzag pattern, frightening some of those present who thought it meant the end of the world. Some witnesses reported that their previously wet clothes became "suddenly and completely dry."







Daguerre's Diorama
The Diorama was a popular entertainment that originated in Paris in 1822. An alternative to the also popular "Panorama" (panoramic painting), the Diorama was a theatrical experience viewed by an audience in a highly specialized theatre. As many as 350 patrons would file in to view a landscape painting that would change its appearance both subtly and dramatically. Most would stand, though limited seating was provided. The show lasted 10 to 15 minutes, after which time the entire audience (on a massive turntable) would rotate to view a second painting. Later models of the Diorama theater even held a third painting.
The size of the proscenium was 24 feet (7.3 m) wide by 21 feet (6.4 m) high (7.3 meters x 6.4 meters). Each scene was hand-painted on linen, which was made transparent in selected areas. A series of these multi-layered, linen panels were arranged in a deep, truncated tunnel, then illuminated by sunlight re-directed via skylights, screens, shutters, and colored blinds. Depending on the direction and intensity of the skillfully manipulated light, the scene would appear to change. The effect was so subtle and finely rendered that both critics and the public were astounded, believing they were looking at a natural scene.
The inventor and proprietor of the Diorama was Louis Jacques Mandé Daguerre (1787–1851), formerly a decorator, manufacturer of mirrors, painter of Panoramas, and masterly designer and painter of theatrical stage illusions. Daguerre would later co-invent the daguerreotype, the first widely used method of photography.
Daguerre opened a second Diorama in Regent's Park in London in 1823, a year after the debut of his Paris original. The show was a popular sensation, and spawned immediate imitations. English artists like Clarkson Stanfield and David Roberts produced ever-more elaborate dioramas through the 1830s; sound effects and even living performers were added. Some "typical diorama effects included moonlit nights, winter snow turning into a summer meadow, rainbows after a storm, illuminated fountains," waterfalls, thunder and lightning, and ringing bells.


Tripod Donteville regards this as a solar symbol, not because it has a circular top but because of the three supports which can be said to correspond to the three solar 'moments'–the rising, the zenith and the setting. The symbolic figure of the triskeles–three legs joined together to form a kind of swastika–is similar in meaning according to Contenvile, but Ortiz holds that t is expressive of 'swift movement.'





